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Ok, so you want to watch The Fearless Hyena.

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Ok, let’s look at The Fearless Hyena.

First, the movie is about The most readily available version of this early Jackie Chan flick has been distractingly dubbed with English accents and lad slang. (”You twit!” snarls a beefy young kung fu master.) This is a film of some historic interest, however, since Chan was directing himself for the first time, going way too far in his attempt to inject humor into the genre and distance himself from the grim, ferocious example of Bruce Lee. He has only himself to blame, in other words, for the over-the-top slapstick of the martial arts training sequences–like the one that has him standing on his head, balancing a bowl of scalding hot tea in his crotch. The action scenes are all-out gag-fests in which Chan does more mugging than fighting, appearing in drag in one memorable sequence. One hapless thug even gets squashed into the ground, like a steamrollered cartoon character. –David Chute.

I really enjoyed the performace of Tien-chi Cheng and Tien-chi Cheng. The rest of the cast was solid as well. The cast includes Hui Lou Chen, Tien-chi Cheng, Kuen Li, Dean Shek, James Tien.

Again, if you want to download The Fearless Hyena right now, check out Download The Fearless Hyena Right Now!

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And finally, I have a preview of the movie here for you as well…

Ok, so you want to watch The Lady and the Highwayman.

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You can watch The Lady and the Highwayman right now! Just click this link:

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Ok, let’s look at The Lady and the Highwayman.

First, the movie is about The Lady and the Highwayman, produced by Lew Grade as part of a series of Barbara Cartland dramatizations in 1987, contains all the ingredients that made her unique style of romantic fiction so successful. The highwayman in question, known as Silver Blade, is actually an aristocratic outlaw played by a youthful Hugh Grant in a bouffant mullet wig. The lady is Panthea (Lysette Anthony), delicate but firm of purpose, who knows her man when she sees him. It’s Restoration England, so the frocks are fabulous. But Cartland’s pretensions to historical accuracy evaporate when she makes Charles II’s mistress, Barbara Castlemaine (Dynasty’s Emma Samms), the villainess of the piece.

From there, it’s a freewheeling ride of Robin Hood-inspired philanthropy, duplicitous cousins, and some uncomfortably fetishistic shots of the rituals and instruments of execution, although everybody is rescued in time for the romantic soft-focus finale. Full of splendidly self-indulgent performances from the likes of Claire Bloom, John Mills, and Michael York, The Lady and the Highwayman is a feast of thespian ham. Somehow, the cast triumph over the banality of the basic material. –Piers Ford.

I really enjoyed the performace of Oliver Reed and Oliver Reed. The rest of the cast was solid as well. The cast includes Emma Samms, Oliver Reed, Claire Bloom, Christopher Cazenove, Lysette Anthony.

Again, if you want to download The Lady and the Highwayman right now, check out Download The Lady and the Highwayman Right Now!

If you want to pick it up on Amazon, just click the image below:

And finally, I have a preview of the movie here for you as well…

Looking for Frank Sinatra - A Man and His Music + Ella + Jobim?

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So what’s Frank Sinatra - A Man and His Music + Ella + Jobim all about?

For the second of his 1960s television specials, Frank Sinatra organized the show around the loose theme of “rhythm,” and chose for his exploration two artists of impeccable credentials: the scat stylings and jazz-influenced delivery of Ella Fitzgerald and the quiet Latin groove of Brazilian bossa nova legend Antonio Carlos Jobim. The program combines beautiful ballads (”Ol’ Man River,” “Put Your Dreams Away”) with brassy up-tempo tunes (”Day In, Day Out,” “Get Me to the Church on Time”), though one medley includes some forgivable but hardly memorable attempts at contemporary pop, mixing snatches of “How High the Moon” with “Up, Up and Away,” “Don’t Cry Joe” with “Ode to Billy Joe.” The show slows for a relaxed medley with Jobim, who accompanies a lounging, cigarette-smoking Sinatra with guitar and whispering backing vocals while the Voice drops his volume to an intimate conversational tone for “Change Partners,” “I Concentrate on You,” and Jobim’s own “The Girl from Ipanema.” Ella duets with Sinatra on two medleys (contributing a fabulous scat rendition of “Stomping at the Savoy”), solos on “Body and Soul,” “It’s All Right with Me” and “Don’t Be That Way,” and finally the two burn up the program with one final duet, a high octane, show-stopping performance of “The Lady Is a Tramp,” with Nelson Riddle’s orchestra driving the brass to keep up. –Sean Axmaker

Personally, I thought Gérald Dahan was incredible, but wasn’t too impressed with Audrey Pulvar.